Tag Archives: dancing with horses

May21

sanne, the lily of holland

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This is Sanne, the beautiful Friesian belonging to Pam.   He was imported from Holland when he was three.  His name, Sanne, means Lily in Dutch.  When Pam saw him, she fell face first in love.  That was twelve years ago.

In this picture, he is performing in Scarlet and is ridden by Brandi Rivera.  Sanne is the great-hearted performer in all of my dances with horses.  He is the center, the soul, the horse that can handle it all  Dancers doing handstands on his side, yard of swirling fabric, crowds, choreography, changes in choreography, travel, loud music – he takes it ALL in stride.  Sanne is always in a good mood.  He is always happy to see whoever comes into his world.  He is a lover, a snuggle, a honey.

So when he suddenly started to drop muscle and weight and seem cranky, we all worried.  His back became stiff and sore, and he could not find it in himself to work.  As it turns out, he has Lyme.  He has been on Doxy for about ten days and already his back feels better, and he is back to being his sweet, affectionate self.

It was a scare.  I realized that I am completely vulnerable here.  Without him, my dancers and I cannot perform most of our dances.  More than that, HIS vulnerability came sharply into focus.  The vets get very nervous about muscle wasting.  It is often a symptom of catastrophic illness.  I got a lot of information about encysted parasites, muscle enzymes and equine polysaccharide storage myopathy.  I did not want to think about any of it.

Two days ago I heard from my former trainer.  She has been diagnosed with cancer.  She is facing six months of surgeries and treatment.  I do not want to think about that either.  What I want is for her to be fine, for Sanne to be fine, for my children to be safe forever and for all suffering to be at an end.

The temptation is to focus on suffering, on the lack of wellness.  I don’t think that helps my friend or my horse.  I know that it does not help me.  What does help me is this, from Abraham:  “Many around you want to point out “reality” to you. They say, “Face the facts. Look at what-is.” And we say to you, if you are able to see only what-is—then, by Law of Attraction, you will create only more of what-is… You must be able to put your thoughts beyond what-is in order to attract something different or something more.”

The way that I do that is this:  I keep looking for something to appreciate.  For something that makes me happy.  Lucky for me, I have seven cats, four dogs, three horses, two children, a beautiful wife and a wild and wonderful collection of friends.  And if all of that fails, today the peonies are blooming outside my window.

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Jan10

what they teach

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“The greatest language is that without words. Communicating with a single touch that which delivers the energy of a message is always understood, a vibration of the vocal chords to gestures of the body. The forgotten wisdom in this primitive relationship we share with animals is so important. We tend to take advantage of our ability to communicate verbally with each other and often ramble on aimlessly without purpose and thought in our words. “It’s okay to be quiet” I often hear myself say while others addictively babble on. I seek refuge in the company of my teacher, the spirit of the horse who quiets my mind down, for I have learned to communicate calmly with love and attentiveness.”   Ariana Waite

 

These words were written by a young woman who volunteers at Blue Star Equiculture, a loving sanctuary for retired or rescued carriage horses in Palmer, MA.

Today when I was with Nelson, I opened the gate to his catch pen so that we could continue our movement conversation in the big six-acre field where he lives.  He started to leave, and then I raised one hand, really just a shadow of a gesture, and he curved his path around and came back to me.

Then he did something surprising.  Without my asking, he walked into the big round pen that is in his field.  He stood there quietly while I untied and then closed the gate.  Understand that Nelson does not like any kind of confinement. I then began to signal him to move around me and then come back to me – a continuation of last week’s dance.  Today, my hand signal was subtle: a kind of light, curving whisper of a movement, which, brilliant decoder of movement that he is, he read perfectly.

We did a sequence of moving away, changing direction, coming back to me, moving away a number of times, each time, I could feel the dance between his body and my hands and body become more like a quiet, elegant, listening tai chi.

I remembered Anat Baniel’s words:  “More force is the definition of less differentiation.”  And Linda Tellington-Jones urging us to feel more by making our touch lighter, slower, more subtle.

And here is Nelson, telling me, “Yes, that is right.  Less is more. I understand you perfectly.  When I don’t, I will show you.”  And indeed that is true.  When I am unclear, he mirrors that.  When I am nervous, he mirrors that.  When I breathe, slow down and feel, so does he.

Who mirrors you so perfectly?

Dec3

pony dances

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Escorial from Paula Josa-Jones on Vimeo.

For those of you who have not visited the RIDE site, here is a bit of what we call horse dancing. What I want to call attention to is the attunement, the listening, and the conversation between bodies. That is what has always been important to me about this work.

Escorial (aka Pony, and yes, he has his own page) is the equine performer. He is trained as a liberty horse (no restraint) by the brilliant Sarah Hollis of Tintagel Andalusians.We have worked with Pony and Sarah for nearly five years.  I think of it as the yoga of the herd.  Learning how subtle a signal is required to create a profound shift in Pony’s movement.  Rehearsals are humbling, because despite our  dancerly skills, our ability to communicate in herd-speak is always in need of improvement.  Sarah, being the alpha mare, keeps all of us in line.

Why this might be important to non-horse people: Since 87% of our communication is non-verbal, figuring out what we are communicating with our movement seems like a good idea.

For example, my horse Amadeo is majorly spooky. For a long time, I thought he might be autistic because his reactions seemed so disproportionate to what was happening around him. My godson is autistic, and I have had a similar difficulty in decoding his responses. What I finally understood is that Amadeo’a responses were precisely calibrated to his perception of the situation because he is hyper-aware of movement and the underlying emotional landscape. And in order to be around him, I had to become hyper-aware too, but not tense, not nervous. That is a very nuanced and subtle dance, requiring some deep inner and outer listening. And that is horse dancing.

When and with whom are you horse dancing?