this dance
between what is straight, what is curved
the negative and the positive
the open and the closed
the coming together
and the going apart
is one I choose to dance
with my beloved
with all of my beloveds.
this dance
between what is straight, what is curved
the negative and the positive
the open and the closed
the coming together
and the going apart
is one I choose to dance
with my beloved
with all of my beloveds.
photo: Pam White
I spent Sunday, the day after our performance feeling a sense of relief. Right next to that was a lovely blank slate feeling – as if there was infinite creative possibility. Monday however, when I awoke, I felt list mania sneaking in from the edges, and that feeling of available creative space shrinking.
I want to hang out in the open field and just gaze and breathe for a bit. I am also reviewing the “management” part of my life – the house, the gardens, the kids, the animals, the career, the relationship, the body, etc. My wish going forward is to manage less and appreciate more.
All day Saturday before, during and after the performance, I had a huge sense of appreciation. For the dancers, the farm, the riders, the horses, the people who came, for myself. It came in lovely big swells, like the waves on the south shore of Barbados. Lifting and carrying. More of that please.
Thank you one and all! The rain held, the sun shone at the end of the day! Thank you Lynn Cross and Little Brook Farm, all the pretty dancers, all the pretty horses, Ryder and her singing saw, and our lovely audience.
All the Pretty Horses is a performance art presentation that blends a troupe of Little Brook Farm’s horses, mostly rescued, with riders from the farm and professional dancers and dance students from Paula Josa-Jones/Performance Works. The event features choreographed performances of dancers on the ground interacting with ridden horses, incorporating vaulting, modern dance and dressage including quadrille movements (four horses moving as one!).
All the Pretty Horses is the first-time rescued horses, who were previously designated as too old, too lame, too dangerous, too wild, demonstrate their partnership with humans. “It is the time and proper intervention with these formerly cast-off horses that enables them to perform with such beauty, grace and dignity,” says Lynn Cross executive director of Balanced Innovative teaching Strategies, Inc. (BITS), and owner of Little Brook Farm. Paula Josa-Jones and her dancers have been bringing together the elements of All the Pretty Horses over the past year — choreographing the horse’s, rider’s and dancer’s movements to a broad spectrum of music selections.
All the Pretty Horses is an ongoing project, part of Josa-Jones’ Horses Helping Horses program where performance and education are used to raise awareness about equine rescue and humane practices.
Dancers from Paula Josa-Jones/Performance Works
Danielle DeVito, DeAnna Pellecchia, Ingrid Schatz
All the Pretty Horses Dancers
Shannon Campbell, Chandrika Carl-Jones, Sandy Gautier,
Erin McNulty. Amanda Michienzi, Katie Von Wald, Nicole DeWolfe
Vocalist – Ryder Cooley
The Youngest Dancers (Procession & Lullaby)
Giana Henderson, age 7, Emily Poulter, age 4, Laura Warner, age 8
Riders from Little Brook Farm
Summer Brennan – riding Amado and Sonata, Julia Henderson – leading Miranda and riding Charlie
Christina Hinkle – riding Portia, Elisabeth Spoto – vaulting on Devlan and riding Angel
The Horses
Procession & Lullaby– Miranda Jane, Reg. Pinto, age 29
Mustang Tango – Amado, Mustang, captured from High Rock Complex, CA, age 5
The Vault – Devlan, Reg. Hanoverian, age 14
Quadrille– Sonata, TB, age 8, Angel, TB, age 23, Portia, Reg. Oldenburg, age 18,
Forest Edge (Charlie) Reg. Morgan, age 16