Category Archives: the body

what the horse saw

Horses are mythic.  They are beautiful.  They are big.  We revere them and we fear them.  They are planted deep in our psyches, whether or not we ride or know any up close.  They are there, in a field, on film, in dreams, capturing the dancing light of our consciousness, our memory, our imagination.

They also reflect us, mirror our inner state, and let us know when we are out-of-sync with ourselves.  That means when your inside is rattled but you are presenting a nice calm mask, the horse will read the deception.  They will get rattled too, or want to get away from you because they recognize the incoherence.  Helping humans hear what horses are expressing is one way of helping with the incongruence problem.  That is what I do with Embodied Horsemanship.

Most political candidates, and I am thinking of one in particular, could use some help from horses.  I don’t think anyone buys the big, stiff grin or the red face or the agitated gestures even when the words are intended to be reassuring.  The horse would expose that weirdness right away.

I am reading What the Dog Saw by Malcolm Gladwell right now.  I bought it because of the eponymous chapter in which he talks about Cesar Milan, the dog whisperer, and Dr. Suzi Tortora, a brilliant dance therapist and movement analyst (and a former student of mine!).  Gladwell observes Cesar, and then talks to Suzi about what he is doing with his movement.  She points out his movement economy, clarity and honesty.  Animals get it.  We humans sort of get it, but are so unplugged from our own expressivity that we miss a lot.  We are either not looking or looking in the wrong place.

Today I did some Tellington TTouch with Nelson.  By the end of the session, his eyes were closed, his lower lip was relaxed and twitching and his whole body softened.  Mine too.  We were attuned, plugged in.  Our brain waves had synced up – Linda Tellington and Anna Wise discovered that practitioner and recipient of TTouch both go into a state of balanced brain wave activity called “the awakened mind.”

I had a brief fantasy while watching the latest presidential debate.  I wanted to have a couple of horses on stage.  They would have sorted it out right away.  They will be drawn to the one who is coherent and repelled by dishonesty.  Equine lie detectors!

 

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like a weed among weeds

Photo:  Pam White

Have You Ever Tried to Enter the Long Black Branches

Have you ever tried to enter the long black branches
of other lives –
tried to imagine what the crisp fringes, full of honey,
hanging
from the branches of the young locust trees, in early morning,
feel like?

Do you think this world was only an entertainment for you?

Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over
the dark acorn of your heart!

No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!

Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?

Well, there is time left –
fields everywhere invite you into them.

And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?

Quickly, then, get up, put on your coat, leave your desk!

To put one’s foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!

To set one’s foot in the door of death, and be overcome
with amazement!

To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird’s pink mouth,
to the tippets of the honeysuckle, that have opened

in the night

To sit down, like a weed among weeds, and rustle in the wind!

Listen, are you breathing just a little, and calling it a life?

While the soul, after all, is only a window,

and the opening of the window no more difficult
than the wakening from a little sleep.

Only last week I went out among the thorns and said
to the wild roses:
deny me not,
but suffer my devotion.
Then, all afternoon, I sat among them. Maybe

I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.

For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!

A woman standing in the weeds.
A small boat flounders in the deep waves, and what’s coming next
is coming with its own heave and grace.

Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?

And I would touch the faces of the daises,
and I would bow down
to think about it.

That was then, which hasn’t ended yet.

Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean’s edge.

I climb, I backtrack.
I float.
I ramble my way home.

 

Mary Oliver   West Wind:  Poems and Prose Poems

sky and water are the same state of being

Monet Refuses the Operation

By Lisel Mueller

Doctor, you say there are no haloes
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent.  The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and changes our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.

 

Lisel Mueller, “Monet Refuses the Operation” from Second Language. Copyright © 1996 by Lisel Mueller.  Reprinted by permission of Louisiana State University Press.

Source: Second Language (Louisiana State University Press, 1996)

living a moving life

You may have noticed that I have changed the name of the blog to Paula Josa-Jones/ride dance write.  The “sub-title” is “living a moving life.”  I needed to broaden the scope of the title to include my three “big rocks.”

I am focused on the dance part at the moment. After seeing Soledad Barrio at the Joyce, I bought tickets to see Crystal Pite’s brilliant company Kidd Pivot in December.

But that is not the real story. The real story is that in this video of Crystal Pite improvising by Brian Johnson and in the poem that follows (thank you to the Writer’s Almanac) are two of the reasons that I want to live to ninety.  Movement that is common and uncommon. Both ravishing. Both essential.  It’s about living a moving life, living wide awake, riding the moment.  Start that now.

 

To Ninety

A city sparrow
touches down
on a bare branch

in the fork of a tree
through whose arms
the snow is sifting —

swipes his beak
against wood, this side
then that,

and flies away:
what sight
could be more common?

Yet I think
for such sights alone
I would live to ninety.

“To Ninety” by Robyn Sarah, from Questions About the Stars. © Brick Books, 1998. Reprinted with permission. (buy now)

from cinematographer Brian Johnson:  I was commissioned by Knowledge Network in 2009 to create 19 short pieces in collaboration with the same number of artists across BC. These were then assembled into a kind of cultural survey of the province – mapping the diversity of those who live and create here. It can be seen in its entirety on the Knowledge website.

http://www.knowledge.ca/program/cartographies