Category Archives: the body

more patterns

Martha’s Vineyard is the only place I know that grows trees with coats like this.  One of many miracles at the Polly Hill Arboretum.  Patterns of lichen and mosses layered over the patterns of bark and branch.

I traveled to another island today – Manhattan – and on the train from Connecticut read Phoebe Caldwell’s amazing book on autism, Finding Me, Finding You.  What got me was not only the descriptions of hypersensitivities, but the idea that the autistic brain often cannot discard sensory input, so that it builds up in layers upon layer until it is overwhelming and the person has a sensory meltdown, also called fragmentation.

By the time I arrived in the city I felt I had slipped into that slippery, chaotic sensory world of the autist, and by the time I caught the #4 train down to Union Square was completely overwhelmed. The scream of trains, the rivers of people, the clutter of sight and sound felt unendurable. There was no discernable pattern, and the only way I could see to cope was to basically shut down. A lot of people around me seemed to be doing that as well. But we were all coping in essentially socially acceptable ways.  But I wondered, are we all – each of us in our own peculiar way – a little on the spectrum?  What do each of us actually do to cope with the flood of data?

Working with Jacob, I got very interested in rhythms of exertion and recuperation – a concept that originated with Rudolf Laban, the dancer, choreographer and originator of Labanotation and Laban Movement Analysis.  I wanted to see what Jacob’s exertion/recuperation rhythms were, and then got interested in the rhythms of his caregivers as well.  I observed that actually Jacob was better at taking care of his need for recuperation than his primary caregivers, who are on, on, on.

More on exertion and recuperation tomorrow.  I need to rest.

 

 

 

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looking for patterns

After working with Jacob today, I took a walk on the beach, and found myself seeing and then seeking patterns.  I realized that I had been doing that all day with him.  Looking for little chains of movement, sequences that made some sense of the collage that is his movement.

At night, I am reading, studying, trying to figure it out.  What am I seeing? How can I enter that world in a way that makes sense to him.

Tonight, I had a little breakthrough.  I mirrored him meticulously, in as much detail as I could.  The dynamics of his movement, the tension in specific body parts, the sounds, the sequencing of his gestures and the direction and shape of each movement, each stillness.  He felt the difference and guided me, sometimes taking me by the hand, through a series of about six little dances.  They were patterns! I felt like a visitor to his museum, his continent, with Jacob as the guide, helping me to navigate.  He seemed happy that I was finally getting it, and when I got it wrong, he showed me again.  I had to stop myself from crying.  At the end, he drifted away.  Perhaps the exertion, or maybe he had just found the end of the dance and I did not recognize it.

Jacob, looking.

pieces of the puzzle

I spend a lot of each day with Jacob, my autistic godson, trying to sort the pieces, and construct a puzzle that makes any kind of sense.  The clues, all of them spoken in movement because he has no language, are fragmentary, random, slippery, unreliable.  He is speaking in a code made up of beginnings that do not so much end as evaporate, endings that are not final, and links that form no chain.

This is a dance for which I have no program.  I often feel that I have arrived well into the performance, and have no idea of the plot or the players.

Some pieces reappear.  Touch:  he loves pressure on his back and legs and just a second later the delicate glimmering flickers of his fingers with mine.  There are the repetitions:  little rituals too short to hang your hat on – pulling everything from the shelves in a clatter or diving into a corner like a seal into the sea.

Outside, there is climbing, hanging, swinging – his solitary pleasures as he is swift and agile – a sloth, a bird, a monkey.  We cannot follow except with eyes.  On the ground, he runs – with us, without us – it is the same to him.

And yet, we all – parents, caregivers, godmothers, therapists – continue to stare at the pieces, turn them over, move them around, trying to make a picture that we can read, a landscape of this boy.  We are improvising – first our answers, and then our questions too.  The first and only known is his great heart, and ours, and ours.

 

 

 

the hard and the soft of it

Many of you have commented on my post about softness.  I want to give full credit to Mark Rashid here.  It began when I heard him at Equine Affaire, and has continued as I have been watching his DVD called Developing Softness.  It is available from his website and on Amazon, and is well worth the price.

For me, the idea of softness was new.  I love that!  Something new in the somatic world?  I have thought a lot about ease, flow, relaxation, releasing, opening, expanding – but not about softness in a specific way.  So I have been thinking & feeling deeper into that subject.

I am someone who has always enjoyed quickness.  I love a quick mind and moving quickly.  Alacrity, sparking, lightening, tap dancing – all feel good to me. Sometimes the quickness is nervous energy – un-centered and twitchy.   When things go slowly, or slower than is my habit – like that driver in front of me – I get a physical itch, a discomfort, because that person is not going at my speed.  Or at the speed that is my habit.

My question is, can we be habitual and centered?  I think so, if the habit is something like bringing ourselves back to the breath.  I find that many habits are reflexive or reactive and unconscious.  Going fast is a way to not be in the moment, especially if it is an uncomfortable one. Hurrying is a good avoidance technique.

So back so softness.  When I feel myself accelerating, or hardening – as is often the case with my sutbborn pony Amadeo – letting that feeling remind me to soften is proving to be very effective and brand new to this pretty educated body.  The sensation is more palpable than relaxing, and more specific than just breathing, although breathing is part of it.  It is a physical/mental/emotional letting go, opening and centering in that place just below the belt buckle that I talked about the other day.

How do you soften?  Do you soften?