Category Archives: improvisation life

a gift resides in every moment #2

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This post was in the Writer’s Almanac yesterday, and was forwarded to me by my friend Suzanne Weinburg as well.  Reminding me of Deepak Chopra’s centering thought for a few days ago, “A gift resides in every moment.”  Thursday’s  meditation was on intention, and on creating a vision of what you want.  According to Deepak, “Attention energizes, intention transforms.”

In my intention, I am seeing how every word, every thought, every action is a part of that river of intention, and how in the absence of attention, those little words, thoughts and actions can become wasteful, random and careless if I am not aware.  That does not mean that I have to be editing myself every minute, but that I need to feel the resonance of what I am expressing, even inwardly, and how it is rageful, or tragic or just obsessively ruminative, I am losing the forward-thinking, expansive possibilities of my deepest desire.  Profound loss, or devastation of a dream – let’s say the loss of a child – can shatter open the doors and create a necessity for change.

Last night, I was listening to sound effects – car crashes, buildings falling, terrible cracks of thunder and lightening.  I am looking for something for a score I am creating for a new solo.  Listening to them last night, I realized that they mirrored something in m experience (and how!) and that by bringing them fully into consciousness, I was also letting something go, or bringing it out of those obsessive, hidden ruminative places into creative light.  Giving myself permission to move, to keep moving, to dance.

Permission Granted

by David Allen Sullivan

You do not have to choose the bruised peach
or misshapen pepper others pass over.
You don’t have to bury
your grandmother’s keys underneath
her camellia bush as the will states.

You don’t need to write a poem about
your grandfather coughing up his lung
into that plastic tube—the machine’s wheezing
almost masking the kvetching sisters
in their Brooklyn kitchen.

You can let the crows amaze your son
without your translation of their cries.
You can lie so long under this
summer shower your imprint
will be left when you rise.

You can be stupid and simple as a heifer.
Cook plum and apple turnovers in the nude.
Revel in the flight of birds without
dreaming of flight. Remember the taste of
raw dough in your mouth as you edged a pie.

Feel the skin on things vibrate. Attune
yourself. Close your eyes. Hum.
Each beat of the world’s pulse demands
only that you feel it. No thoughts.
Just the single syllable: Yes

See the homeless woman following
the tunings of a dead composer?
She closes her eyes and sways
with the subways. Follow her down,
inside, where the singing resides.

“Permission Granted” by David Allen Sullivan, from Strong-Armed Angels. © Hummingbird Press, 2008. Reprinted with permission. (buy now)

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a gift resides in every moment

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Like this (Sky Guide) app that I discovered accidentally while looking at the new iPad Air.  It has me outside looking at the stars!

Like the wonderful meditation series, Desire and Destiny from Oprah and Deepak Chopra that has Pam and me meditating every morning and every evening together.  Today’s centering thought was “I am free.”  Yesterday’s centering thought was “a gift resides in every moment.”

Like my friends Annie and Stan coming for a visit.

The warm two days that have allowed me to get outside and clean up the gardens.

The inspiration of finding music for a new solo that I am creating.

The real gift though, is simply being present, letting breath open each moment, finding simple sensual, pleasure here, now.

 

 

give anyway

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“You’ve got to give before you get. You cannot expect to receive generous rewards and then decide what to give in return. You must give freely and have faith that the rewards will eventually come.”  Napoleon Hill

I spent the weekend in Boston rehearsing a new dance work with Ingrid Schatz and DeAnna Pellecchia.  Two full days in the studio, diving into movement, trying things out, looking for the light, for heat, for brilliance.  I was reminded of what Alex Webb says about taking photographs:  that you may take hundreds and only one will be wonderful.  I have more patience and faith in that process now than five, ten or twenty years ago.  What has to be there, every time, is willingness and teachability. My own and my collaborators.  If that is missing, then we are caught in the sands of resistance, and I am pretty clear that I do not have the time or energy for that.

Directing and parenting and partnering are interestingly related for me.  In all of them, there is listening, opening, guiding, loving.  With directing and dancemaking, it is loving the process, loving the work and the workers, even when it is awkward and raw, unformed and murky.  I am old enough to have a lot of staying power, and a pretty handy toolkit.  I am also more attentive to the guidance of my heart.  That is really important when starting a new project.  The heart has to be there to keep things pulsing, to support the whole system of the making.  And the heart has to guide toward truth, toward a kind of inevitability in the outcome.  Meaning that when we see the final work, it feels as if nothing else could have happened.

Back to giving.  With directing and parenting and partnering that means that I hold nothing back.  And that reminds me of this from Annie Dillard in The Writing Life:

“One of the few things I know about writing is this:  spend it all, shoot it, play it, lose it, all, right away, every time.  Do not hoard what seems good for a later place in the book, or for another book:  give it, give it all, give it now.  the impulse to save something good for a better place later is the signal to spend it now.  Something more will arise for later, something better.  These things fill from behind, from beneath, like well water. similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive.  Anything you do not give freely and abundantly becomes lost to you.  You open your safe and find ashes.”

new ground

IMG_1641Photo:  Pam White; Sculpture:  Gillian Jagger

This photo is from a shoot that I did recently with Pam White at Gillian Jagger’s studio.  Since I first saw her work in New York in 2002, I have wanted to enter it, dance with it, let it speak into my body and my movement.  We began with her hoofprints, and Pam and I will go back to do more in a couple weeks.  I have no clear idea about where this work is going.  I don’t think that is important, at least for now.

I have gotten better at just following the cues, at seeing the flickers at the edge of my mind, at dropping in to an obsession and letting it open me up.  For a few years after adopting my daughters, I lost that connection.  I was all mother, all the time.  It felt like the well of images and inspiration had evaporated.  They hadn’t, but I had  bigger and more compelling obsessions at the time.

The trauma of losing my youngest daughter has pushed me into some very scary places.  Empty places.  Frightened spaces.  Dark, anxious, endless.  But stuff grows in the dark, in the cold.  Maybe what takes hold in that soil is fiercer, more resiient, more insistent.  That, anyway, is how it feels.  New ground, every day.