Category Archives: horses, dogs & more

meet the greys

Part of the current pack:  Jules & Guinevere

Dae & Liam

Bimala with a pack from the past:  Luna, Tashi, Liam (under and still here), Esme, Dae

I don’t usually write about the dogs. I am not sure why.  They feel more intimate somehow than the horses, even though they are not.

For the past twenty years, we have adopted “retired” racing greyhounds.  Retired is a euphemism for “done.”  Some are injured, like Tashi, who broke his leg, and was never treated.  Some never made it as racers, like our bright Esme, who just wouldn’t race, despite a brilliant lineage.  It was not her thing, though you wouldn’t know it to see her on the beach.  Others, like Luna, Dae, Jules and Guinnie, have long careers and do actually retire.  The retirement is a tricky thing.  It is about the luck of the draw.  Some dogs get on the rescue vans, and find their way to shelters or greyhound halfway homes where they await adoption.  Others are not so lucky.  Our particular rescuing angel is Louise Coleman, the founder of Greyhound Friends in Hopkinton, MA.

Our greyhound saga began like this.  We were on a cross-country ski weekend in New Hampshire at an inn owned by a British couple.  At tea time on the first day, the guests watched in fascination as the owners’ very tall and very elegant greyhound, Finbar, walked into the room.  He proceeded over to the table where the cookies and crackers were arranged, and reached his long thin nose forward to select a single cracker, not touching anything else, and carried it back out of the room where he presumably enjoyed it.

Pam and I were done.  We found out where Finbar had come from and made a call the next week.  Two weeks later, we brought home our first greys, Misha and Zoe.  That was twenty years ago, and in that time we have had ten greys, including Gordita and Cho, two Galgos Espanols from Andalucia, where they are used as hunting dogs by the gypsies and cruelly discarded or killed after they have lost their edge.

I love greyhounds in part because they are athletes – racers, like horses.  To see a greyhound run at full tilt is a miracle of nature.  I have never been to a racetrack.  But I have seen them open up on Lucy Vincent Beach on Martha’s Vineyard, or in our back meadow.  Racing greyhounds run in powerful muscular surges.  Galgos are more like watching skimming, airborne water – they are fence climbers, shape shifters.  Greys are beautiful, even formidable.  They are often shy and delicate, with an almost feline quality about them, and, I like to think, a bit of unicorn mixed in.  Mostly I love them because of their sweetness, and because they seem to understand and appreciate the gift of home and family that they have been given after a far less auspicious start in the kennels of the racetrack.

Capturing video of a dog that goes from 0 to 40 can be tricky.  Have a look.

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2011

Painting:  Pam White, from the Spirit Horse series.  This painting is FOR SALE.  Contact me here for details.

 

I have been contemplating the approaching new year.  2012 seems an oddly impossible number – something from a future that I have not achieved.

So I am going to look back at 2011 in an effort to bring myself up to speed with this new number.  Two things stand out in particular.  They are about practice and rooting.  I am using that word because of its developmental associations.  It is what an infant does when seeking the mother’s nipple.  Seeking nourishment, the font, the center.  That feels to me like what this year has mostly been about.  Bringing work into new focus.  Nourishing myself with the work.

This was the year that I started my blog.  It began as a piece of the puzzle of my book, Horse Dancing and quickly took on a life of its own.  The book is still seeking its publisher as the blog steadily threads its way through the digital palimpsest that it is the internet.   The blog has become a taproot of my creative practice.  It is where I start the day, and often where I end.  It is teaching more more about showing up, steadfastness and finding focus than almost anything else I have done.  I have been greatly helped and encouraged in my efforts by Jon Katz, Pam White,  Gwen Bell, and Ev Bogue.

This was also the year that I deepened my work with horses to include the Mustang Nelson.  Nelson was rescued from slaughter from one of the BLM’s ugly culls of wild horses that are decimating the herds of the West.  Working with a horse with no intention of riding or making him ready for any human use is something relatively new for me. It is completely about figuring out the steps to his dance for the purpose of making his life out of the wild more manageable for him and safe for his caregivers.  Nelson is my kindest and most patient teacher.

I began to develop  classes and writing for those who are interested in going deeper into improvisational practice.   Opening to new teaching opportunities in this way gives me a new kind of juiciness and flexibility.  Watch for links to other offerings that I find rare and exciting, like Jenna Woginrich’s webinars.

OK.  Now I feel ready to dive into 2012.  Tomorrow.

What has been the root of your year?

 

 

art – life

I was drawn to this image because its intimacy, the quiet focus of the artist who is also the art.  One of the themes that I will be exploring in January is the way that art and life intersect.  It will also be a big part of the focus of Breaking into Blossom, the online course on moving into an improvisational life that begins on January 23.

Many years ago, I took a workshop with the brilliant Eiko & Koma.  I remember Eiko saying that she and Koma do not commute between their art and life.  For them it is a seamless whole.

I am a householder.  I have animals, a lot of them.  They are a beautiful, essential part of every day. But their presence means that there are a million little moments in every day that are not art.  Scooping poops, feeding dogs, cats, cleaning up vomit and pee.  Brushing, walking, touching.  As I said, not art.  Or what can feel like a lot of little, niggly commutes.

Having said that, there is a way to be with those necessities that is a rhythm, a practice, a yoga even. And there is a direct path from all of that ritual to my work, my writing, and definitely my choreography, which is full of beasts – hooved, pawed, winged.

Are you commuting?

postscript:  This week, The Journal (the little ragged memoir) is about the ways that I have taken art art into and onto my body.  The how and the why of that, including the elaborate mapping of tattoos.

 

joy

You cannot judge the value of a life by its quantity. It is by the joy that you are feeling. The more joyful you are, the longer you live. Let yourself relax and breathe and be free and be joyous, and romp. The optimum physical life experience is to have plenty of things that stimulate you to desire, and an awareness of the way you feel, so you’re reaching for thoughts that feel good—so you’re wide open, so you’re tuned in, tapped in, and turned on.

Abraham – Excerpted from the workshop in Chicago, IL on Saturday, September 7th, 2002

 

This is a photo of my daughter Bimala with the mules Gizmo and Gomez.  May your holiday have moments of this kind of happiness and connection. Appreciation for the small moments and for what is precious to you.