Category Archives: horses, dogs & more

what the horse saw

Horses are mythic.  They are beautiful.  They are big.  We revere them and we fear them.  They are planted deep in our psyches, whether or not we ride or know any up close.  They are there, in a field, on film, in dreams, capturing the dancing light of our consciousness, our memory, our imagination.

They also reflect us, mirror our inner state, and let us know when we are out-of-sync with ourselves.  That means when your inside is rattled but you are presenting a nice calm mask, the horse will read the deception.  They will get rattled too, or want to get away from you because they recognize the incoherence.  Helping humans hear what horses are expressing is one way of helping with the incongruence problem.  That is what I do with Embodied Horsemanship.

Most political candidates, and I am thinking of one in particular, could use some help from horses.  I don’t think anyone buys the big, stiff grin or the red face or the agitated gestures even when the words are intended to be reassuring.  The horse would expose that weirdness right away.

I am reading What the Dog Saw by Malcolm Gladwell right now.  I bought it because of the eponymous chapter in which he talks about Cesar Milan, the dog whisperer, and Dr. Suzi Tortora, a brilliant dance therapist and movement analyst (and a former student of mine!).  Gladwell observes Cesar, and then talks to Suzi about what he is doing with his movement.  She points out his movement economy, clarity and honesty.  Animals get it.  We humans sort of get it, but are so unplugged from our own expressivity that we miss a lot.  We are either not looking or looking in the wrong place.

Today I did some Tellington TTouch with Nelson.  By the end of the session, his eyes were closed, his lower lip was relaxed and twitching and his whole body softened.  Mine too.  We were attuned, plugged in.  Our brain waves had synced up – Linda Tellington and Anna Wise discovered that practitioner and recipient of TTouch both go into a state of balanced brain wave activity called “the awakened mind.”

I had a brief fantasy while watching the latest presidential debate.  I wanted to have a couple of horses on stage.  They would have sorted it out right away.  They will be drawn to the one who is coherent and repelled by dishonesty.  Equine lie detectors!

 

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here we come!

Saturday October 6 at 3:30 pm

Little Brook Farm, 548 County RT 13, Old Chatham, NY 12136

Tickets $30 at the gate

All proceeds to benefit Little Brook Farm

about All the Pretty Horses

All the Pretty Horses is a performance art presentation that blends a troupe of Little Brook Farm’s horses, mostly rescued, with riders from the farm and professional dancers and dance students from Paula Josa-Jones/Performance Works. The event features choreographed performances of dancers on the ground interacting with ridden horses, incorporating vaulting, modern dance and dressage including quadrille movements (four horses moving as one!).

All the Pretty Horses is the first-time rescued horses, who were previously designated as too old, too lame, too dangerous, too wild, demonstrate their partnership with humans. “It is the time and proper intervention with these formerly cast-off horses that enables them to perform with such beauty, grace and dignity,” says Lynn Cross executive director of Balanced Innovative teaching Strategies, Inc. (BITS), and owner of Little Brook Farm. Paula Josa-Jones and her dancers have been bringing together the elements of All the Pretty Horses over the past year — choreographing the horse’s, rider’s and dancer’s movements to a broad spectrum of music selections.

All the Pretty Horses is an ongoing project, part of Josa-Jones’ Horses Helping Horses program where performance and education are used to raise awareness about equine rescue and humane practices.

The Cast

Dancers from Paula Josa-Jones/Performance Works

Danielle DeVito, DeAnna Pellecchia, Ingrid Schatz

All the Pretty Horses Dancers

                     Shannon Campbell, Chandrika Carl-Jones, Sandy Gautier,

Erin McNulty. Amanda Michienzi, Katie Von Wald, Nicole DeWolfe

Vocalist – Ryder Cooley

The Youngest Dancers (Procession & Lullaby)

Giana Henderson, age 7, Emily Poulter, age 4, Laura Warner, age 8

Riders from Little Brook Farm

Summer Brennan – riding Amado and Sonata, Julia Henderson – leading Miranda and riding Charlie

Christina Hinkle – riding Portia, Elisabeth Spoto  – vaulting on Devlan and riding Angel

The Horses

Procession & Lullaby– Miranda Jane, Reg. Pinto, age 29

Mustang Tango – Amado, Mustang, captured from High Rock Complex, CA, age 5

The Vault – Devlan, Reg. Hanoverian, age 14

Quadrille– Sonata, TB, age 8, Angel, TB, age 23, Portia, Reg. Oldenburg, age 18,

Forest Edge (Charlie) Reg. Morgan, age 16